Jacqueline of the Carrier Pigeons — Edition Insights

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Seaman, Augusta Huiell, 1879-1950, Edwards, George Wharton, 1859-1950 [Illustrator] Project Gutenberg 2018 Not confirmed
Netherlands -- History -- Eighty Years' War, 1568-1648 -- Juvenile fiction; Homing pigeons -- Juvenile fiction; Leiden (Netherlands) -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 44,394
Reading time 194 min
Text sections 5

Jacqueline of the Carrier Pigeons — Edition Insights can be approached with a clearer sense of reading commitment from its source measurements: 44,394 words, 3 hr 14 min estimated reading time, and 5 detected text sections.

The text analysis averages about 16.7 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Netherlands -- History -- Eighty Years' War, 1568-1648 -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.

A children's adventure set during the 1574 Siege of Leyden, following Jacqueline as she navigates danger, uses carrier pigeons for messages, and confronts the threat of Dirk Willumhoog while caring for her ill guardian.
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Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

Little did the children dream, as they sat looking out over the beautiful city, that this same year of 1574, and this same Leyden were to witness the great turning-point of the struggle.

"Look, look, Jacqueline! There is the church of Saint Pancras, and there is our house in Belfry Lane. I can almost see Vrouw Voorhaas looking from the window! Come, let us set free the pigeons!" And Gysbert, all excitement, began to fumble with the wrappings of the bundle. Jacqueline rose, threw back the two golden braids that had fallen across her shoulders, and knelt down to superintend the work.

Very carefully they removed the dark shawl and laid it aside, disclosing a box roughly fashioned like a cage, containing four pigeons. The frightened birds fluttered about wildly for a moment, then settled down cooing softly. When they had become accustomed to the daylight, Jacqueline opened one side of the box, thrust in her arm, and drew toward her a young pigeon of magnificent coloring, whose iridescent neck glittered as if hung with jewels. The girl cuddled the bird gently under her chin, and with one finger stroked his handsome head.

"Let us send 'William of Orange,' first," she said. "He is the finest, strongest and wisest, and will lead the way. I am glad we named him after our great leader."

"But the message!" Gysbert reminded her. "We must not forget that, or good Vrouw Voorhaas will never know whether he got back first or not. She cannot seem to remember one pigeon from another. Here, I will write it." He drew from his pocket a tiny scrap of paper on which he hastily scrawled:--"'William of Orange' brings greetings to Vrouw Voorhaas from Jacqueline and Gysbert." This he wrapped about the leg of the bird and tied it with a string. "Now, let him go!" he cried.

Jacqueline stood up, lifted the bird in both hands, and with a swift upward movement, launched him into the air. The pigeon circled round and round for a moment, then mounted up into the sky with a curious spiral flight. When it was many feet above the children it suddenly changed its tactics, spread its wings taut, and made straight in the direction of Saint Pancras spire and Belfry Lane.

"Bravo! bravo!" they cried, watching intently till its sun-gilded wings had all but faded from sight. "'William of Orange' is a true carrier pigeon! Now for the rest!"

One after another they released the three remaining birds to whom they had given the names 'Count Louis' and 'Count John' after the great William of Nassau's two favorite brothers, and lastly 'Admiral Boisot.' It seemed to be a fancy of the children to call their pets after their famous generals and naval commanders.

"These are the finest pigeons we have raised," remarked Jacqueline as she shaded her eyes to watch their flight. "None of the others can compare with them, though all are good."

"Now we have twenty," added Gysbert, "and all have proved that they have the very best training. No pigeons in the city are like ours, not even old Jan Van Buskirk's. When shall we begin to hire them out as messengers, Jacqueline?"

"Perhaps there will be an opportunity soon," answered the girl. "Now that our city is no longer besieged we may have to bide our time. But no one can tell what will happen next in these days. We must wait, Gysbert."

"Come, come! let us be going," said her brother restlessly, "and see if they all get back safely, and whether 'William of Orange' was first."

"No, let us stay awhile," replied Jacqueline. "It is pleasant and cool up here, and the afternoon is long. Vrouw Voorhaas will let the birds in, and tell us all about when they arrived. We may as well enjoy the day."

She reseated herself and gazed off toward the blue line of the ocean, shut out from the land by a series of dykes whose erection represented years of almost incredible labor. The river Rhine making its way sluggishly to the sea,--a very different Rhine from that of its earlier course through Germany,--was almost choked off by the huge sand dunes through which it forced its discouraged path. The girl's thoughtful mood was infectious, and Gysbert, after rambling about idly for a time, came and settled himself at her side.

"'Tis a strange hill, this, is it not, Jacqueline, to be rising right in the middle of a city like Leyden? Why, there is nothing like it for miles upon miles in this flat country! How came it here, I wonder?"

The story opens during the Eighty Years' War, with the Spanish army besieging Leyden. Jacqueline, a young girl, is drawn into the city's struggle for survival. The narrative quickly establishes her role as a caretaker for the bedridden Vrouw Voorhaas and her reliance on carrier pigeons for communication. A note from an anonymous sender claiming news of her brother Gysbert forces Jacqueline to weigh caution against hope, setting the stage for a tense decision.

Siege and Suspicion

The excerpts show Leyden under pressure from both the Spanish army and internal threats. Jacqueline is forbidden to go out alone, yet a note lures her with promises of her brother's rescue. The text builds suspense through her internal conflict: she notes the unsigned note, the fleeing messenger boy, and the tight fifteen-minute window. The author uses Jacqueline's thoughts—"Hope, doubt and distrust reigned equally"—to highlight the precarious balance between trust and caution. The setting, with references to Hengist Hill and the Wirtemstrasse, grounds the action in a specific geography, while the recurring motif of pigeons as messengers ties directly to the catalog subject of homing pigeons.

Voice and Vigilance

The prose employs a formal, slightly archaic style appropriate to its 1910 publication, with phrases like "thou wouldst hear news" and "Juffrouw Jacqueline." The narrative voice shifts between omniscient description and close focalization through Jacqueline, as seen when she "flushed with joy and then turned deathly pale." The excerpts reveal a pattern of characters watching and waiting: Jacqueline reads by the sickbed, Jan hobbles off with messages, and the doctor insists on fresh air. This vigilance reflects the siege's constant threat. The catalog subject of the Eighty Years' War is not merely background but shapes every action—Jacqueline's movements are restricted, and her decisions carry life-or-death stakes.

Pigeons as Plot Devices

Carrier pigeons function as both practical tools and symbols. A pigeon brings news of the fleet reaching Nord Aa, and Jacqueline is "constantly on the watch for messages." The birds enable communication across enemy lines, a necessity during the siege. The title's emphasis on pigeons is justified: they drive key plot points, such as the timing of Jan's errand to the burgomaster. However, the excerpts do not reveal the full extent of their role, leaving open questions about how many pigeons are used and whether they carry more than one message. The catalog subject of homing pigeons is thus accurately reflected, but the story's reliance on them appears more tactical than sentimental.

Readers should note that the excerpts cover only a portion of the narrative, focusing on Jacqueline's dilemma and the siege's immediate pressures. The full text likely expands on the pigeon network, the fate of Gysbert, and the broader historical context hinted at in the introduction. Pay attention to how Seaman balances historical detail with adventure, and whether the pigeons remain central or become a backdrop to other conflicts.

The rain kept time with the siege drums in Jacqueline of the Carrier Pigeons, and I lingered on how courage often arrives through small, stubborn tasks—feeding birds, mending a wound. That quiet persistence stayed with me, and later, pulling down Jimmy Kirkland of the Cascade College Team — Themes and Context, I found the same unflashy steadiness in a different jersey, and the afternoon softened into a longer, gentler story.

Isabella Thomas
3 weeks ago

Henry Johnson
4 weeks ago

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5 out of 5 (2 User reviews )

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